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Birthday girls Carol Channing (born 31st January 1921) and Tallulah Bankhead (31st January 1902 – 12th December 1968) dish the dirt with Gloria Swanson...
CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."
This stunning set of images, shot by renowned photographer Norman Parkinson, span across two decades and form part of a new exhibition chronicling ten years in fashion from 1954-1964.
Reflecting a pivotal decade in the emancipation of women – and the fashion that celebrated it – the exhibit also documents the work of the designers who launched the modern fashion industry.
Angela Williams enjoyed a creative collaboration with Parkinson when she worked as his assistant and has spent the past decade carefully cataloguing and researching the archive to preserve Parkinson’s legacy.
She said: ‘These prints represent one of the most creative periods of Parkinson’s career, but most of the images have not been published or exhibited since they were first taken, so it is very exciting to be able to bring these works to a new audience.
‘Parkinson always claimed he was a working photographer not an artist, but with the passage of time these photographs have gathered substantial artistic and historical significance, and the images now
transcend their original purpose.
‘He was the first fashion photographer to take his models out of the stuffy confines of a studio into the real world, where he captured their natural beauty with his trademark mix of realism and wit.
‘Parkinson’s innovative yet meticulous approach ensured there was always a touch of magic in his work; he did not merely document, but also influenced, the Zeitgeist.’
"Don't ever try to be someone else. You have to be creative and understand yourself."Indeed.
Carmen Dell’Orefice
"I must apologise for not appearing before you in peacock-blue plush wearing a diamond and sapphire tiara, a turquoise dog-collar, ropes of pearls and slippers studded with Burma rubies; but I prefer, and always have preferred, Scotch tweed."
This is how Henry Cyril Paget, 5th Marquess of Anglesey, presented himself in an interview with the Daily Mail, shortly after his bankruptcy, and six months before his death in Monte Carlo at the age of 29. The reporter was "astonished" to find a man "so extraordinarily as other men are ... whose tastes and lack of intellect have been enormously exaggerated".
Astonishment was a common reaction to the Marquess. The public couldn't get enough of him. This was a man who frittered away a huge family fortune, mainly on costumes and jewels; who paraded through London with a poodle dressed in pink ribbons tucked under his arm; who amazed his audiences with his sinuous "butterfly dance"; who modified his car so that the exhaust pipe sprayed perfume.
Most of the Marquess's effects were sold from his family estates soon after he was declared bankrupt, and all his personal papers were destroyed by the Paget family after his death. Even today, the family are reticent about their forebear, who brought devastation and distress not just to the Pagets and their property, but to their servants, tenants, neighbours and tradesmen.
Not surprisingly, the 5th Marquess fascinated his contemporaries. A Mrs Anne Jones of Bangor kept an album of photographic postcards of him, which she eventually donated to the museum at Bangor. Clough Williams-Ellis, architect and founder of the village of Portmeirion, remembered him as "a sort of apparition - a tall, elegant and bejewelled creature, with wavering elegant gestures, reminding one rather of an Aubrey Beardsley illustration come to life".
Music hall performer Vesta Tilley, meanwhile, recalled wearing, in one of her performances as the glass-eye-sporting character Algy, "a vest of delicately flowered silk, one of the dozens which I bought at the sale of the effects of the late Marquess of Anglesey". The sexologist Iwan Bloch included Paget in his study of 20th-century sexuality, noting that, in the early 1900s, the Marquis was to be found walking the streets of Mayfair, perfumed and beringed, carrying the aforementioned poodle under his arm.
Paget was, according to one obituary, an actor "of some real merit". The obituary goes on to relate how "upon tour he travelled in great state and at considerable expense". Historian Christopher Simon Sykes describes how the company "travelled with specially painted scenery and their own orchestra, and many of their props were exact copies of furniture from Anglesey Castle [the renamed Plas Newydd]." The company - which was, at its largest, some 50 strong - required five trucks for the baggage and scenery. The Marquess travelled in a powerful Pullman motor car with a personal staff of four. When at Anglesey Castle, he kept actors in lodgings in the neighbouring village of Llanfair.
Each of Paget's costumes was specially designed and made to order, either by couturiers or by the London costumiers Morris Angel. One jewel-encrusted costume for a part in Aladdin was reportedly worth at least £100,000; another, for Henry V, at least £40,000. Alex Keith recalled that his changes of costume were so frequent that he required "a small army of dressers".
In many of his shows, the Marquess would entertain the audience in the interval with his performance of a "Butterfly Dance after the manner of Miss Loie Fuller" - a dancer known for her serpentine movements. This vignette earned the Dancing Marquis his nickname.
In 1970, Montgomery Hyde, the vocal campaigner for homosexual law reform, described Paget as the "most notorious aristocratic homosexual". We have no evidence either way.Hmmmm...
"Pastry chef turned rule-breaking cabaret act. Backing singer turned striking solo artist. Visionary pop star Klaus Nomi took New York's East Village by storm in the 1980s. Reacting against the ordinariness of punk and disco, Nomi produced a never before seen brand of entertainment with synthesized covers of music from Henry Purcell to Marlene Dietrich."Klaus Nomi was unique, that is certain. On his emergence into the more-than-embracing Blitz Kids/New Romantic scene in the UK in 1981, he caused a storm of acclaim, awe, and downright confusion. His talents were recognised early on by the likes of David Bowie and, following his sad and untimely death of AIDS-related complications in '83, his legacy lived on with tributes from such geniuses as Man Parrish, Morrissey, Nina Hagen and Marc Almond, and more recently Ana Matronic (of the Scissor Sisters).
Steven Meisel's spoof of QVC, the TV shopping channel, is pitch-perfect: this is what television shopping would look like if the clothes were Chanel, Alexander McQueen, Prada and Gucci modelled by supermodels Joan Smalls, Natasha Poly and Karlie Kloss.