
Romy Schneider and Sophia Loren

Jayne Mansfield, Liza Minnelli, Mitzi Gaynor, Kaye Ballard

Edith Piaf reading the palm of Django Reinhardt
CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."


Jayne Mansfield, Liza Minnelli, Mitzi Gaynor, Kaye Ballard

Edith Piaf reading the palm of Django Reinhardt

















In San Francisco in the 1970s, Todd Trexler was one of the most prolific and sought-after poster artists for the city’s predictably amazing drag scene. He generated many posters for the Nocturnal Dream Shows and midnight movie screenings at the Palace Theater on 1741 Powell Street (it was also called the Pagoda later on). His attention-grabbing yet stately posters captured and perhaps helped define the distinct aesthetic of San Francisco’s drag happenings. The contrast of Art Deco filigrees to big personalities like Divine and the Cockettes is very effective.Divine decadence, indeed.
Sadly, Trexler passed away in February of this year at the age of 70. His essential posters can be seen in an exhibition that opens this week at Magnet (4122 18th Street) in the Castro district of San Fransisco. Some of the items have not been on display in 40 years.
As an art student in 1968, Trexler began making posters, many of them hand-drawn. He was close with Sebastian (or, as he was also known, Milton Miron), a key member of the Cockettes. Todd continued to do work for them for a number of years in the 70s, before moving to Monterey to attend nursing school in 1979.
Here’s Trexler on the “Divine Saves the World” poster shown above:
"I absolutely adored working with Glenn on the few occasions that I did! The day that we planned to take photos for the VICE PALACE poster I’ll never forget. Glenn and I sat in the back seat of a car with Sebastian in the front. We drove around San Francisco looking for a place to use as a backdrop. We ended up at the Palace of Fine Arts and decided it was perfect! Glenn was in makeup, bib-overalls with the sides split to make them large enough. He had tossed a couple of 50’s net prom dresses in the trunk of the car. He slipped into a pair of open-toed backless mules and wrapped the prom dresses around himself and instantly became DIVINE! I took the photo and that poster is an all-time favorite of my poster career."

...it "kicked off in flamboyant style with the gala screening of I Am Divine, a new documentary about the legendary actor and drag queen Divine.Festival programmer Brian Robinson was there on the riverbank in 1985 and recalls Divine’s show:
An LLGFF favourite following the screening of his film Vito at last year’s Festival, director Jeffrey Schwarz flew in for this international premiere, four days after the film was unveiled at its world premiere at America’s SXSW festival. Several friends of Divine were among the audience, including sculptor and performance artist Andrew Logan, record producer Pete Waterman and Mark Moore of S’Express.
The after-party was held aboard HMS President, in tribute to Divine’s legendary performance on a paddle steamer on the Thames during the Gay Pride parade in 1985."
"It was a very funny day, very busy. There were lots of stalls along Jubilee Gardens. You could hear the sound of Divine singing on the boat before you could actually see Divine. And when the paddle steamer hoved into view, you could see Divine gyrating. It was an extraordinary sight. In the middle of the river, even Divine looked small, but it was a great moment that I’ve never forgotten."And neither have I - for I too was there!


Francine worries helplessly about household odors, and does her best to make sure her suburban house is furnished with all the velour, gilt and brightly colored plastic her family could want. Polyester is a movie that can get laughs out of a dinette set simply because it is a dinette set. The props, all through the movie but particularly in Francine's lovely home, are priceless. Mr. Hunter is certainly endearing, playing a man who runs an art-house drive-in, one with champagne and caviar at the refreshment stand and a Marguerite Duras triple bill on the screen. Divine, lovestruck and trying hard to please, is seen poring bewilderedly over a copy of Cahiers du Cinema.From Prince Planet Movies site:
The biggest inspiration for Polyester comes from one of John Waters’ idols, the great Douglas Sirk. If you can imagine one of Sirk’s sumptuous Technicolor melodramas from the 50s but with a 300-pound drag queen as the female lead, you have an idea of what to expect.

Gold fever has struck the wild western town of Chile Verde, where hard-living cowboys and hot-blooded wenches all lust for wealth and each other. But when mysterious gunfighter Abel Wood and defiled singer Rosie Velez (Tab Hunter and Divine, reunited from "Polyester") come together with saloon owner Marguerita Ventura (Lanie Kazan), fiery passion and unbridled greed turns the town upside down. Do these two wanton women share the secret to a fortune in buried treasure? And how far south of the border will desperate men have to go to uncover it?