Carry On, carried off

RIP, Dame Barbara Windsor. An icon, an inspiration, a national treasure.

We will miss you.

Dame Barbara Windsor, (Babs) DBE (born Barbara Ann Deeks, 6th August 1937 - 10th December 2020)

Leave your worries on the doorstep

"...a heart-warming and a joyfully camp tribute to a national treasure." - The Telegraph

We watched a rather splendid tribute to an eternally revered [especially here at Dolores Delargo Towers] star last night, a so-called "biopic" of the kind that British telly, and the BBC in particular, does so well. Following on from similar panegyrics such as that on Dame Shirley Bassey, and the masterful performance by Sheridan Smith as Cilla, this time it was the turn of... Barbara Windsor!

Now in her 80th year, it was fitting that the lady whose best-known roles were as the shimmying, chesty sexpot of the Carry On films and the matriarch of TV soap Eastenders should be treated to a dramatic exploration of her less well-known history. For not may people realise that, had she not chosen a path whereby her "assets" would forever be better known than her acting skills, the artist formerly known as Barbara Deeks might have had a far more - ahem - reputable acting repertoire by which she may have been judged.

I use the word "judged" carefully, especially as the usual "journalism-free" reporting in the aftermath of the drama-documentary [and by that, I of course refer to the fact that most so-called "newspapers" these days would rather report on what brainless twats on Twatter have to say about a telly programme than actually employ a genuine reviewer] has produced a slew of articles slating the programme as "confusing". In my opinion it was fabulous. If people are too stupid to understand that not everything that appears on screen has to be explained by endless exposition, then in my opinion they should be barred by law from having access to any form of media. Especially the "social" kind.



Babs was not - by any stretch of the imagination - a "straightforward", linear, biography. Starting at an odd crossroads in her life (the early 1990s, when Miss Windsor's "career" was somewhat limited to "end-of-the-pier" regional theatre and panto), the drama revolved around the contemplative Babs and the "ghost" of her father, through whom she revisited a series of disparate chapters of her past life - from early wartime childhood, to her first forays into drama school (The Sunny Side of the Street became her anthem even in the early days), to being trapped (painfully) in the middle of her parents' divorce, to the blossoming of our familiar "giggling, wiggling" blonde bombshell with a penchant for "bad boys", her choice to have an abortion, and the wide and varied progress of her career.



All these stages were played by different actresses, and all of them were excellent! As the Guardian said:

"It’s the Barbaras who make it. Samantha Spiro as end-of-the-pier Babs is all sad eyes and flashes of sauciness as she reminisces with her dad (Nick Moran), appearing as a charismatic figment of her imagination to backchat her through the past 50 years. Jaime Winstone is delicious as the younger Babs: sweet and self-knowing with an up-do so outrageous it looks less like a bun and more like a giant round loaf rising atop her head. We first encounter her backstage, being instructed to strap up her chest because “the director says your tits are too big”. Which induces a perfect Babs laugh, deep and dirty as a drain."

Particular highlights in the drama - apart from the sometimes challenging interplay with the cruel and heartless "Dad" that Babs always looked up to, despite being abandoned by him - were the unbridled joy of her first cabaret shows at Ronnie Scott's, and the appearance of the estimable avant-garde theatre impresario "Joan Littlewood" (played to perfection by Zoe Wanamaker). We (unlike some viewers) enjoyed the "flick-flacking" between timelines, the fact the producers wisely decided not to concentrate too heavily on the Carry On years, and (by placing the narrative a decade before she landed the role) didn't feature her late-stage stardom in Eastenders.

Babs is, after all, more than that.



In all, this was an excellent televisual feast, and highly recommended!

Babs trailer

Babs audition for Joan Littlewood

Babs - a treasure, indeed.

Gerr aht my pub!

Brian May, Anita Dobson, Barbara Windsor, Edward Duke, Jill St John, Robert Wagner, Joan Collins, Elaine Paige, Diana Rigg and Stephanie Powers









The "other Windsor" (apart from Her Maj), our national treasure Barbara Windsor celebrates her 75th birthday today.

Hers has been a long career - she made her stage debut at the age of 12 - yet it is for two major achievements she will always be embedded in our hearts: her roles in nine Carry On films, and latterly as the domineering Peggy Mitchell (currently on an extended break) in Eastenders.

Facts about Babs Windsor:

• Barbara was nominated for a "Featured Actress in a Musical" Tony Award in 1965 for her performance in Oh, What A Lovely War! directed by her mentor, Joan Littlewood.
• She has always had an association with the real East End underworld. Babs was supposedly a one-time girlfriend of Reggie Kray, and her first husband Ronnie Knight ran away to Spain after he was accused of carrying out a bank robbery.
• Barbara's first film role was in 1954 in The Belles of St. Trinian's when she was 16.
• She has been married to Scott Mitchell [no relation to Peggy!], 26 years her junior, since 2000.

Barbara Windsor MBE (born Barbara Ann Deeks on 6th August 1937)