Showing posts with label Fenella Fielding. Show all posts
Showing posts with label Fenella Fielding. Show all posts

Friday, 19 November 2021

I think today should be...


Isabella Blow (19th November 1958 – 7th May 2007)


Gene Tierney (19th November 1920 – 6th November 1991)


Eleanor Powell (21st November 1912 – 11th February 1982)


Ofra Haza (19th November 1957 – 23rd February 2000)


Amanda Lear (born 18th November 1939)


Fenella Fielding (17th November 1927 – 11th September 2018)


Anni-Frid "Frida" Lyngstad (born 15th November 1945)


Louise Brooks (14th November 1906 – 8th August 1985)


Veronica Lake (14th November 1922 – 7th July 1973)

...a "Say Something Hat Day", don't you?

[click any photo to enlarge]

Wednesday, 12 September 2018

Sexual power is a very big power













Very sad news indeed today - the utterly fantabulosa Fenella Fielding, Patron Saint and icon here at Dolores Delargo Towers, is dead.

As the estimable Peter Bradshaw writes in The Guardian today:
...she was destined to be remembered for just one thing, and she good-humouredly accepted that: a sexy-campy-vampy cartoon persona. This was most obviously her slinky Valeria in Carry on Screaming (1966), in which she reclines languorously on a chaise-longue, asks Harry H Corbett’s uptight-but-tempted police inspector: “Do you mind if I smoke?” and starts to emit vapour from her whole body. “And I was trying to give up!” says Corbett, reaching eagerly into the fog. That deathless line became the title of her autobiography. Everyone agreed that Fenella Fielding was smoking hot.
She certainly was:


However, she was so much more than that - in her long career, she tackled Wilde, TS Eliot, Ibsen, Saki, Shakespeare and Sappho, as well as a musical adaptation of a Ronald Firbank tale (Valmouth); hers was the voice on the tannoy in The Prisoner, and also that of the "Blue Queen" in the psychedelic Magic Roundabout film Dougal and the Blue Cat; she scored a West End hit in a revue co-written by the unlikely combination of Peter Cook and Harold Pinter(!); and she became a familiar face on our screens, taking in her stride the anarchic comedy of Rik Mayall and Adrian Edmondson, the bitchy repartee of Kenneth Williams, and the more family friendly humour of Morecambe and Wise ["Fenella Fielding - one of the finest female impersonators in the business,” joked Eric].

It was for her luscious, husky voice (as well as her sultry looks) she was most famous, of course, and she put it to very good use on the couple of occasions we met her - at Polari in April 2011, when she was reading an extract from her friend Michael Menzies' autobiography Deeply Superficial, and just last year at The Phoenix Club, reading passages from her autobiography.

Confirmation (if any were needed) that the lady understood all too well her "camp icon" status, she famously lent her dulcet tones to an entire album - one of our most treasured possessions! - of covers of modern pop classics, The Savoy Sessions - although she apparently regretted it, and tried to stop its publication. Read more about all that (and listen to some of the tracks).

Miss Fielding certainly was eccentric. She co-presented one of Andrew Logan’s Alternative Miss World contests in a Pierrot clown outfit [and was guest of honour at the celebration of his life we went to at Stoke Newington Festival in 2016]. She was chosen to present the 2017 "Bad Sex In Fiction" award for Christopher Bollen's The Destroyers (he wasn't present). In her speech, Fenella said: "Sometimes it really is better to give than to receive." Just this year (at the age of 90), she told a friend she had decided to take up driving. “You’re blind as a bat,” the friend said. “Don’t worry, darling,” she purred. “I’m going to have the windscreen made of prescription glass.”

Then, there's MetaFenella, "an interactive video portrait offering guidance for life inspired by Fenella Fielding", created by the artist Martin Firrell and available here. Its collection of recorded musings by our dearly departed grande dame herself is simultaneously inspiring and funny, and also quite odd - but it throws up some gems of advice, including:
  • "Sexual power is a very big power."
  • "Short Men: half the trouble but twice the fun."
  • "The power of the breast is well-known."
  • "People are very free with their bad advice."
  • "Always make the most of yourself."
  • "Do not marry somebody evil (no matter how attractive)."
  • "People who are judgmental lose everything."
  • "Don’t make it too sexy."
  • "Spying is a rather dangerous career."
  • "Thinking of preserving your youth is a terrible waste of your present time."

RIP, Miss Fenella Fielding OBE (born Fenella Feldman, 17th November 1927 – 11th September 2018).

There will never be another.

Monday, 6 June 2016

An outsider doing his own thing





From an article by Ben Walters in Run-Riot online magazine:
"Andrew Logan occupies a strange position, in many ways an outsider doing his own thing, but not without institutional or establishment credentials. Educated at Oxford, his work has been shown in the US, Mexico, Singapore, Australia and Russia, and acquired by collectors as diverse as the National Portrait Gallery, the Queen Mother, Bono and Larry Hagman.

His studio also contains an array of outlandishly spectacular thrones and a spanking new set of crown jewels encrusted with brightly-coloured numerals. These are fruits of Logan’s other magnificent obsession: as well as making art, he is the creator of the Alternative Miss World, the sensational pageant conceived in 1972 that has become an institution.

At once a grand-scale celebration of polymorphously perverse creativity and a gazette of the most exciting spirits animating London’s underground scene, it’s equal parts Dada, Warhol, Pepys and Versailles, and was inspired as much by Crufts as the original Miss World tournament.
His partner Michael Davis, an architect and craftsman who created the their home, studio, and Andrew's Museum of Sculpture in North Wales, near Powys Castle, says: “He’s like the Pied Piper. He just seems to attract interesting people.”

Indeed. Andrew's many friends over the years include Derek Jarman, Duggie Fields, Zandra Rhodes, Fenella Fielding, Brian Eno, Jenny Runacre and Molly Parkin; participants and/or judges in the aforementioned Alternative Miss World (which is about to celebrate its 44th year) have encompassed a huge swathe of the "great, the good, and the notorious" - Divine, Leigh Bowery, Angie Bowie, Steve Strange, Lionel Bart, Rula Lenska, David Hockney, Amanda Barrie, Sian Phillips, Richard O'Brien, Janet Street-Porter, Marilyn, Jill Bennett, Muriel Gray, Judy Blame, Zoe Wanamaker, Norman Parkinson, Julian Clary, Marie Helvin, John Maybury, Suggs, Joan Bakewell, Little Nell, Pamela Stephenson, Simon Callow, David Bailey, Naim Attallah, Sam Taylor Wood, David McAlmont, Anita Roddick, Rachel Auburn, Grayson Perry, Le Gateau Chocolat, Trindy, Michael Cashman, Maggi Hambling, Jonny Woo, Nick Rhodes, Amy Lamé and Ruby Wax among them.

Trained originally in architecture, not design, nevertheless Mr Logan always instinctively veered towards the avant garde - one of his earliest commissions was from Barbara Hulanicki to create oversized flowers for her legendary 70s boutique Biba's rooftop garden. He was an original part of the "Butler's Wharf" collective of artists who (almost-but-not-quite) became known as London's answer to Warhol's "Factory", sharing creative space with Mr Jarman - and it was at their creative warehouse that Malcolm McLaren and Viv Westwood threw a ball in 1976 at which the Sex Pistols (notoriously) played an impromptu set, putting the wheels in motion for the Punk "explosion".



And so it was with all these admirable qualities in mind that John-John and I ventured to the launch event for the Stoke Newington Literary Festival on Friday to attend what promised to be a "spectacular" - a celebration of the life of a man who has variously been described as "the ultimate maximalist", "a true original" and "effortlessly loopy". The audience was full of stylishly-clad, terribly-arty types, those who actually accompanied Mr Logan on his "journey" and those who have been inspired by the man. We were overjoyed to bump into our friend and fellow former "Blitz Kid"/Alternative Miss World aficionado Miss Eve Ferret.



Speaking of "effortlessly loopy", the event was opened in the campest of all possible camp manners by none other than the delightful (and benignly oblivious) Miss Fenella Fielding! She was helped to the stage by Mr Logan himself (who, despite being the evening's subject, appeared to do an awful lot of the "ushering" and stage-management duties), sang his praises, then looked confused (as a helluva lot of the evening's guest were, as there were no obvious clues what came next), sat down in one of the on-stage comfy chairs, but was then gently steered off again - and still managed to get the most tumultuous applause!



Libby Purves, broadcaster and all-round fab lady, was our host for the (first half, as it turned out, of the) evening - a series of personal reminisces and panegyrics to the man who inspired so many artistic types - including milliner Piers Atkinson, legendary punk photographer Sheila Rock and and one of the original "Blitz Kids" Scarlett Cannon.



Unfortunately, there appeared to be very little in the way of stage management (Miss Purves was more "lost" than one might have expected her to be, probably because no-one had given her a proper "steer"), and technical problems with both sound and visuals dogged the proceedings the whole evening.

Just before the half-time break, Miss Purves announced she had some pressing family commitments and had to leave prematurely. And so, our friend the ever-willing Eve Ferret stepped up to the mark, ran off to her car to retrieve her peignoir, and gathered herself to host part two...

Ad-libbing superbly, Eve introduced the second set, which was intended, in addition to more anecdotes from Andrew's friends and family (including his sister Janet Slee), to highlight what was purported to be a parade of Alternative Miss World contestants, past and present. It was opened by an appearance by "Oberon" and "Titania", who were then supposed to act as hosts for the "catwalk". Unfortunately, nobody had given anyone a microphone. So the audience could see lots of people in fantastical costumes parading up and down but had no idea what was what, who was whom, or why they appeared.



The grand finale - Andrew Logan's Alphabet - was a mass of colours, as all the "catwalkers" and guests assembled in their bejewelled splendour behind him. The spectacle was somewhat undermined by the fact that whoever the venue had got to be "in charge" of the projector had decided that a blank blue screen with a message "no power source detected" was an appropriate back-drop for such a grand tableau. Shoddy, we thought.

Regardless of the technical annoyances, I'm very glad we went. Andrew Logan is, and always will be, an absolute icon.

Monday, 18 November 2013

More than just a Carry On










"I turned down the chance to work with Frederico Fellini in the late-1960s. He had a big thing about me. He saw me on stage in the Sardou comedy, 'Let's Get a Divorce'. He wanted me to do this film in which I'd play the incarnation of six different men's desires. Not a bad role.

"You see, Fellini had never heard of 'Carry on...' He just saw what he saw and thought: I like that. It was thrilling. I had to meet him at a hotel. It was a fascinating time; full of secret telegrams and so on. He was gorgeous. But I'd already said yes to a play at Chichester. I thought it would be dishonourable to let them down. I would say that's the thing that I really regret."
Fenella Fielding.

There is no other.

Here she performs The Cosmetically Correct Song by Graham Roos from the book Apocalypse Calypso:



Fenella Fielding (born Fenella Feldman, 17th November 1927)

More Fenella