Showing posts with label Elsa Schiaparelli. Show all posts
Showing posts with label Elsa Schiaparelli. Show all posts

Sunday, 6 September 2026

Fashion’s house of surrealism

The exhibition Schiaparelli: Fashion Becomes Art that we went to see yesterday at the V&A museum was - as ever, with the expert curation they have always employed - a superb, comprehensive, and utterly dazzling display of the creative talents of Madame Elsa Schiaparelli, the couture empire she founded, and its legacy today [the fashion house was revived in 2013 after almost 60 years, with Christian Lacroix as then creative director].

Myriad original Schiaparelli designs on show, from the "formal" to the frivolous, were a feast for the senses [click any photo to enlarge, or right-click and "open in new tab" for even greater detail]:

Her playfulness extended to the minutest details - trims, patterns, and in particular the buttons (a whole room of which were also there to view in all their spectacular glory):

Speaking of accessories...

Inevitably, amongst all the beautiful gowns on offer, it's the rare survivors from her famed Surrealist collaborations - with the likes of Salvador Dali and Jean Cocteau - that are the stars of the show:

The output of the relaunched House of Schiaparelli was no less impressive, of course - pieces have featured everywhere from catwalks to red carpets to the Met Gala - and whole galleries of those were there, too:

However, if I really have to make a choice among my favourites of the whole collection, they would have to be these...

A splendid way to spend a Saturday afternoon.

If you can, book tickets today! Schiaparelli: Fashion Becomes Art runs until 8th November 2026.

Friday, 10 September 2021

I think today should be...

...a "Say Something Hat Day" - courtesy of today's birthday girl Elsa Schiaparelli!

Don't you?

More Elsa here and here.

Saturday, 7 December 2013

Lightening up and moving on













Continuing our obession with Schiaparelli...

From BlouinArtInfo website:
January is shaping up to be a big month for Elsa Schiaparelli, as her historic namesake brand gears up to present its first ready-to-wear and couture collections by newly-installed creative director Marco Zanini, and simultaneously, Christie’s will auction off about 180 objects from her personal collection.

Although Schiaparelli died at 83 in 1973, leaving to her daughter the Countess Maria Luisa Yvonne Radha de Wendt de Kerlor a trove of imaginative collectibles including furniture, paintings, sketches, photographs, decorative objects, and clothes, that collection now comes to the market having passed through the hands of Schiaparelli’s granddaughter, the actress Marisa Schiaparelli Berenson.

On offering the collection for auction, Berenson told the New York Times: “You know, Schiap lives inside of me, so I don’t need a lot of the furniture, objects and clothes to remember her by. I think letting go of life and lightening up and moving on in the present sometimes is important.”

With estimates for individual lots starting at $670, the collection is expected to rake in a total of about $1.1 million, said Christie’s.

Impressively, the lots not only comprise clothes that Schiaparelli designed, but also furniture and decorative art objects that told of how she lived. Many lots underscore her relationships with many artists as their collaborator, friend, and patron — from Salvador Dalí and Man Ray to Christian Bérard, Jean Cocteau, Alberto and Diego Giacometti and Marcel Vertès.
Oh, to just be there with a wallet full of money. I would probably buy this Astrologie blouse...



More about the collection in the Telegraph.

The Personal Collection of Elsa Schiaparelli will be auctioned at Christie’s Paris on 23rd January 2014.

Tuesday, 10 September 2013

Difficult times, outrageous fashion









From Vogue:
Schiaparelli’s designs deliberately subverted traditional notions of beauty - fanciful, bizarre, and irreverent ideas that she developed early in life. Berated by her [Italian] mother for her homely looks, she grew up thinking of whimsical ways to beautify herself.

Her astronomer uncle tried to allay her concerns about a cluster of moles on her cheek by noting their resemblance to the Big Dipper; years later, she recreated the constellation on the chairs in her salon, in embroideries, and on a cherished brooch.

Schiap once took flower seeds and sowed them in her ears, mouth, and nose, in the hopes that she would blossom into a beauty. “To have a face covered with flowers like a heavenly garden would indeed be a wonderful thing!” she wrote in her autobiography.
Elsa Schiaparelli was truly a woman ahead of her time.





Newly arrived in Paris in the mid 1920s after the break-up of her marriage in New York, she quickly made influential connections in the surrealist art world, collaborating on various designs with such artists as Jean Cocteau and Salvador Dali.







She made her name as something of an innovator. In addition to such dramatic concoctions as the Lobster Dress, gloves with gold claws and the Shoe Hat, her design ideas spawned the wrap-around dress, the “miniature hat” fascinator, the peplum jacket, harem pants, culottes, the wedge heel, the women's "power suit" with shoulder pads, the perfume bottle in the shape of the female body, and, of course - Shocking Pink!





Famously described as “ ...an aggressive, brawling, warrior pink” by Yves Saint Laurent, this new and vibrant colour was well suited to the extravagant styles of '30s couture and the glamour of Hollywood, became popular again in the "colour explosion" of Carnaby Street in the '60s, and of course endures today.

Elsa's popularity waned in the face of stiff competition from her hated rival Coco Chanel - she sneeringly called Elsa "an Italian designer who makes clothes",; to which Elsa retorted by referring to Coco as "that milliner" - and others such as Christian Dior and his "New Look", and the House of Schiaparelli closed in 1954. Eventually she purchased a house in the resort of Hammamet (popular with the rich and famous of the "jet set"), and spent her retirement moving between Paris and Tunisia until her death in 1973.





Yet, to great fanfare - and with the support and backing of such grandees of fashion as Diana Vreeland and Christian Lacroix, the House of Schiaparelli has risen once more. It was re-launched in time for Paris Fashion Week in Autumn 2012. Read more about the revival, and M Lacroix's tribute to Elsa.

Facts about Elsa:
  • The surname Schiaparelli is pronounced with a hard "ch", as in "school".
  • She single-handedly created the concept of the "boutique" when she started selling her sweaters and accessories in the corner of her popular salon in the Rue de la Paix.
  • She was grandmother to Cabaret actress Marisa Berenson and Antony Perkins' widow Berry Berenson, who was killed in the Twin Towers terrorist atrocity (12 years ago tomorrow).
  • In her heyday, her clients included Mae West (upon whose curvy figure the aforementioned "torso" perfume bottle was based), Marlene Dietrich, Zsa Zsa Gabor and the heiress Daisy Fellowes. Her style was beloved of Anna Piaggi and John Galliano.
  • She experimented with acrylic, cellophane, a rayon jersey called "Jersela" and a rayon with metal threads called "Fildifer" - the first time synthetic materials were used in couture.



"Dress designing ... is to me not a profession but an art. A dress cannot just hang like a painting on the wall, or like a book remain intact and live a long and sheltered life. A dress has no life of its own unless it is worn, and as soon as this happens another personality takes over from you and animates it, or tries to, glorifies or destroys it, or makes it into a song of beauty."

"Never fit a dress to fit the body but train the body to fit the dress."

"I gave to pink the nerve of the red, a neon pink, an unreal pink."

"In difficult times fashion is always outrageous."

"The moment people stop copying you, you have ceased to be news."


Elsa Schiaparelli (10th September 1890 - 13th November 1973)