From The Londoness blog:
For more than 100 years, ocean liners were the primary mode of intercontinental transportation. It wasn’t until the 1950s that the jet age kicked in. Marlene Dietrich, Cary Grant, the Duke and Duchess of Windsor, Walt Disney and David Niven were just some of the celebrities who used these giant golden carcasses to cross the Atlantic.And so it was, on Friday Hils, Crog and I were somehow strangely drawn to go and see the V&A's latest flagship exhibition Ocean Liners: Speed and Style before it closed (today).
The grande dames of ocean liners included the France, Normandie, Lusitania, Mauretania, Queen Mary and Queen Elizabeth. Unsurprisingly, passengers opted for German, French and British liners over American ones, as whilst the Prohibition laws were in effect, the giggle water restrictions still applied on American ships...
...As shipping companies started marketing to wealthier clients, so the interiors started taking centre stage. And the more opulent, the better, with styles ranging from Beaux-Arts to Art Nouveau. During the interwar period, Art Deco became the interior style du jour... [and the grandest] liners included a grande descente, a staircase where the ladies could make a proper entrance dressed in all their finery.
It certainly didn't disappoint. With several rooms stuffed to the brim with every kind of artefact - from original promotional posters, tickets and booklets; to designs, plans and scale models of the ships themselves; to menus (First, Second and Third Class); to furniture, ornaments, carpets, lamps, friezes, wall panels and the assorted ornate ephemera that served to decorate these floating palaces; to the clothing, jewellery and suitcases used by the rich and the famous who became their regular passengers. Poignantly, there were some pieces that survived the Titanic disaster - a fragment of the panelling of the First Class lounge, and even a deckchair.
There were some absolute gems on display, such as Lanvin's 'Salambo' flapper dress (which was exhibited at the original Exposition Internationale des Arts Décoratifs in Paris that launched the term "Art Deco"):
...the gigantic Art Deco lacquered wall frieze of athletes, from the smoking room of the Normandie:
...the opulent Louis Quatorze-style panels and door from the France:
...the centrepiece displays of elegant clothing as worn by the mega-rich passengers (such as heiress Emilie Busbey Grigsby and Marlene Dietrich), displayed around an imagined grande descente complete with silent movie footage of glamorous people descending; and, adjacent, the full-scale mock-up of an on-board swimming pool:
...and, of course, the Cartier tiara that survived the sinking of the Lusitania, thanks to the swift actions of Lady Marguerite Allen's maid to rescue it:
In common with so many of the V&A's big exhibitions, I imagine this one will be embarking on its own "grand tour" of the world - so catch it if you can!
More about the exhibition
