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CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."
And so farewell to the marvellous Miss Dora Bryan, comedienne, actress, singer and stalwart of British light entertainment for many decades.
Miss Bryan was probably most famous worldwide for her award-winning performance as the harridan mother in Tony Richardson's adaptation of Shelagh Delaney's gritty drama A Taste of Honey. Here's a great clip of Dora in full flood:
"In spite of the conventions of the time, a woman of spirit could easily make an interesting life for herself if she did not waste too much time visiting, attending fittings at her dressmakers, or engaging in love affairs.In 1895, at the height of La Belle Époque, a young Jeanne Bourgeois made her début as Mistinguett at the Casino de Paris - and the legendary era of the Parisian Folies began in earnest.
"These demi-mondaines loved making theatrical entrances... in very light dresses standing out clearly from the dark suits of their admirers massed behind them and over whom they towered with their plumed hats or lofty sprays of feathers. If every head did not turn on recognising her flourishing soprano laugh, her entrance had failed.
"This is the moment when the Champs Élysées, from the Place de la Concord to the Étoile, and especially around the Rond-Point, gradually awaken[ed] to a night life quite different to the daytime."
- extracts from La Belle Époque: An Essay by Philip Jullian.
Hugh Beaumont, famously known as Binkie Beaumont, was one of the most powerful West End theatre managers of his, or any other, generation.Thought for the day - not many people these days are known as "Binkie".
As co-founder and managing director of play producers H.M. Tennent Ltd, he controlled much of the West End for forty years. He was famously very publicity shy, avoiding his picture being in the papers and leaving scant details about his parents, upbringing, education or even his real name.
He worked out of a small office above the Gielgud Theatre (then the Globe Theatre) on Shaftesbury Avenue and at one time was running a staggering fourteen productions at the same time in London. From 1936 to 1973 the company produced over 400 plays, musicals and revues, covering every aspect of British theatre from big musicals such as My Fair Lady to the edgy new work of Joe Orton.
He touched the lives of many of the most famous writers and actors of the Twentieth Century, forming close working relationships with people such as Noel Coward, Terence Rattigan, Emlyn Williams, Cecil Beaton, John Gielgud, Vivien Leigh, Ralph Richardson, Peggy Ashcroft and Edith Evans.