It's the birthday today of our Patron Saint of Pizzazz, Miss Liza Minnelli! All hail.
Also worthy of note, however, if the fact that it is forty-five years since that magnificent cinematographic work of genius - the film that launched our elfin icon to international super-stardom - Cabaret was first released in cinemas.
I first saw it when it appeared on telly (lord knows when!), but I recall it had a life-changing influence on me. Not only was there the whiff of (divine) decadence and sleaze, the presence of a (slightly warped) heroine who gestured and emoted her way through a series of fantabulosa camp torch songs, and an "Emcee" of sinister-yet-thoroughly-enjoyable naughtiness, but also - and to me, this was everything - the sex-god that was Michael York playing a character admitting he was gay! I adored it way back then in my closeted youth, and it remains my favourite film of all time to this day...
Mr Bob Fosse is an absolute genius of a director. His sassy, vivacious, dance-oriented style is right up my street - and it is no surprise that his other memorable film Sweet Charity is also one of my faves - as one might expect given his long stage background, and the fact he was also the choreographer for such classic musicals as Kiss Me Kate, The Pajama Game and Damn Yankees. Yet, so it is said, he practically had to beg the producers to allow him on board for Cabaret [in Hollywood then, as now, commerce rather than quality is all; and Sweet Charity flopped at the box office (for some strange reason)]. But they gave in, thankfully - and the rest is history...
Facts about Cabaret:
- Bob Fosse decided at an early stage not to make a film version of the stage musical. Instead, he revisited Christopher Isherwood's original works upon which the stage adaptation was originally based, and included characters and plot lines (especially those involving Fritz, Natalia and Max) from I Am a Camera and Berlin Stories that did not appear in the stage version.
- Mr Isherwood himself felt Liza Minnelli was too talented for the role. Sally, an amateur talent who lived under the delusion she had star quality, was in his opinion the antithesis of "Judy Garland's daughter".
- Two of the original stage show's leading musical numbers Don't Tell Mama and Married were removed from the film version, yet both actually appeared in the film. The former's bridge section appears as instrumental music played on Sally's gramophone; the latter is initially played on the piano in Fraulein Schneider's parlour and is later heard at Sally and Brian's picnic in a German translation (Heiraten) sung by cabaret singer Greta Keller.
- The song Maybe This Time was not written for the film. Kander and Ebb had written it years earlier for Kaye Ballard (and thus it was ineligible for an Academy Award nomination in 1973).
- Cabaret has the distinction of winning the most Oscars (eight in total, including Best Actress for Liza, Best Supporting Actor for Joel Grey and Best Director for Mr Fosse), without winning Best Picture.