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Hand-made Art Deco computers by Jeffrey Stephenson Design
CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."
On April 28, 1870 Lady Stella Clinton and Miss Fanny Winifred Park — otherwise known as Ernest Boulton, age twenty-two, and Frederick William Park, a twenty-three-year-old law student — attended a performance at the Strand Theatre, London, in full evening frocks. The police had been keeping an eye on this pair since 1869, and they were arrested, together with another man, while two more of their associates escaped. All of the men lived at separate addresses, but they kept a house on Wakefield Street, off Regent Square, where they would dress up before going out of an evening, and where they stayed with friends for a day or two at a time. The police made an inventory: sixteen dresses in satin or silk with suitable lace trimmings, a dozen petticoats, ten cloaks and jackets, half a dozen bodices, several bonnets and hats, twenty chignons, and a variety of stays, drawers, stockings, boots, curling-irons, gloves, boxes of violet powder and bloom of roses. Their landlady described their dresses as "very extreme."
Boulton was very good looking, effeminate, and musical, with a wonderful soprano voice, and he and Park played female parts in amateur theatricals in legit theatres, country houses and elsewhere. Earlier that month Fanny and Stella, as "sisters," attended the Oxford and Cambridge boat race, dressed as women. They also frequented the theatres and Burlington Arcade dressed as men, but wearing make-up, winking at respectable gentlemen, which initially attracted the attention of the police.
[Fanny and Stella] were arrested in April 1870 for intent to commit felony. In the courtroom, Boulton wore a wig, bracelets, make-up and a cherry-coloured silk evening dress trimmed with white lace. Park wore white gloves, a dark green satin dress, low necked and trimmed with black lace, and a shawl, his hair was 'flaxen and in curls.' They were let off because no actual crime had been committed, though they appeared before the dock twice more in May 1870, both times in full evening regalia again.The trial(s) fascinated the media of the day, and the pulp tabloid coverage was avidly consumed by the scandal-loving public.
Boulton and Park managed to get away with all manner of 'larks' in this brief stint, including enticing men to pick them up as prostitutes before embarassing them by pointing out they were actually men.
One person connected with the scandal was Lord Arthur Pelham Clinton, MP, third son of the Duke of Newcastle (who unfortunately committed suicide before the case came to court). Boulton told others "I am Lady Clinton, Lord Arthur's wife," and showed the wedding ring on his finger. Lord Arthur lodged near him, paid for Stella's hairdresser who came every morning, and had ordered from the stationers a seal engraved "Stella" and even visiting cards printed "Lady Arthur Clinton." There are theatre posters of Lord Arthur and Boulton performing together in the play A Morning Call in which Lord Arthur played Sir Edward Arnold and Boulton played Mrs Chillington, and in Love and Rain, in which Lord Arthur played Captain Charles Lumley and Boulton played Lady Jane Desmond, a Young Widow.They also encountered luminaries such as Simeon Solomon (the aesthete painter and sculptor whose own homosexual scandal was unfortunately his downfall), and the sexologist and campaigner George Ives (whose "Order of Charonea" I featured in the Museum a few weeks ago).
By the 1980's, Denning & Fourcade was renowned for colorful rooms densely outfitted with rare 18th- and 19th-century antiques, museum-quality art and sumptuous fabrics that would not have looked out of place at the Vatican.The designs and the outrageousness (Mr Denning's eccentricity and lifelong devotion to plastic surgery were legend) continued solo until his own death, and the legacy of his particular penache survives in the minds and mansions of his society and celebrity clients everywhere.
"Outrageous luxury is what our clients want," Mr. Fourcade once explained.
"No factual account can quite convey the passions Serge Lifar engendered around him. These were rooted in his artistic ideas, not merely in his well-publicized escapades - challenges to duels with Leonide Massine and the Marquis de Cuevas, or his ballet for helicopters at the 1950 Paris air show. Nor should one focus on his penchant for creating roles for himself. In his version of 'Afternoon of a Faun,' he was a faun without nymphs."