Sir Elton Hercules John [nee Reg Dwight],CH, CBE is 75 years young today...
All hail!
CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."
Spring
By Christina Rossetti
Frost-locked all the winter,
Seeds, and roots, and stones of fruits,
What shall make their sap ascend
That they may put forth shoots?
Tips of tender green,
Leaf, or blade, or sheath;
Telling of the hidden life
That breaks forth underneath,
Life nursed in its grave by Death.
Blows the thaw-wind pleasantly,
Drips the soaking rain,
By fits looks down the waking sun:
Young grass springs on the plain;
Young leaves clothe early hedgerow trees;
Seeds, and roots, and stones of fruits,
Swollen with sap put forth their shoots;
Curled-headed ferns sprout in the lane;
Birds sing and pair again.
There is no time like Spring,
When life’s alive in everything,
Before new nestlings sing,
Before cleft swallows speed their journey back
Along the trackless track –
God guides their wing,
He spreads their table that they nothing lack, –
Before the daisy grows a common flower
Before the sun has power
To scorch the world up in his noontide hour.
There may be quite a lot going on the world to preoccupy the media, but one would have thought there might have been some mention, somewhere, of the fact that today marks the centenary of the birth of the magnificent Cyd Charisse? Thereby hangs a tale, dear reader...
According to the Handbook of Texas [NB the former Miss Tula Ellice Finklea was born and raised in Amarillo], her birth date was 8th March 1922. This is also the date cited by IMDB, in her obituary in the LA Times and in the report in Reuters. However Wikipedia, citing her obituary in The Guardian, sets it a year earlier in 2021. Lazy so-called journalists these days mainly take their information from Wikipedia, without verifying it - if they can't see it on Tw*tter, of course - so this may explain the complete lack of hoo-ha in the press.
Never mind all that, we at Dolores Delargo Towers adore the great lady, so we raise a toast...
...All hail the woman with the finest legs in showbiz!
And so, another "national treasure" departs for Fabulon...
Miss Lynda Baron, for it is she - perhaps surprisingly to many people who only knew her as the redoubtable "Nurse Gladys Emmanuel", object of "Arkwright"'s lust in Open All Hours - had a career that spanned from her debut as a stage dancer and actress in the late '50s, to co-starring with Sheila Hancock and Kenneth Williams in the Peter Cook-scripted West End revue One Over The Eight, to television satire sketch shows such as Ned Sherrin's Not So Much a Programme, More a Way of Life, to "token-busty-dolly-bird" roles in numerous forgettable B-movies and in Frankie Howerd's up Pompeii, to Doctor Who [three times, with three different "Doctors", in the '60s, '80s and in 2011], children's show Come Outside, Eastenders and Father Brown.
It is, of course, Open All Hours (and its sequel) that really embedded her in the nation's conciousness...
...but she received her only BAFTA nomination for her portrayal of Violet Carson/"Ena Sharples" in 2010's The Road To Coronation Street:
She even held her own as one of the "old troupers", alongside Dame Diana Rigg and Julia McKenzie, in Sondheim's Follies, as this clip [that I featured during my week of tributes following the Maestro's death last year] proves!
RIP, Lynda Baron (born Lilian Baron, 24th March 1939 – 7th March 2022)
[* Yes! That is the least menacing "space pirate" in television history - Mr Leee John of Imagination!]
....I here reprint in full a marvellous 1997 article on Lou Reed by Jane Appleby for Bambi fanzine. Full credit to the lady for a revealing examination of his life.
TRANSFORMER or fragments of the life of Lou Reed
Lewis Allan Reed was born in Brooklyn in 1942 to a Jewish middle class family. At the age of 17 he received electro-shock therapy three times a week to discourage his homosexuality.
"They put that thing down your throat so you don’t swallow your tongue and they put electrodes on your head. That’s what was recommended in Rockland County then to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. I wrote ‘Kill Your Sons’ about that."In 1961 he went to Syracuse University to do a degree in English Lit. and Philosophy. One of his biggest influences was his teacher the writer and critic Delmore Schwartz. He also had his 1st gay love affair at university before graduating with honours. (He also had a long term affair with a woman who went on to inspire many of his songs such as ‘Pale Blue Eyes’.) He also met up with Sterling Morrison and continued playing in bands. Lou Reed considered studying journalism before opting for drama but he was asked to leave due to his involvement in narcotics. He evaded the draft and went to work for Pickwick records in 1964-65 writing pop songs. One of these songs ‘The Ostrich’ was wanted on TV and that was how Lou Reed came to hook up with John Cale who was impressed with his other songs like ‘Heroin’.
"It was built around this story that I wrote about this scene of total debauchery and decay. I like to think of Sister Ray as a transvestite smack dealer. The situation is bunch of drag queens taking some sailors home with them and shooting up on smack and having this orgy when the police appear."In 1968 John Cale was ousted and replaced with Doug Yule. They began to record their 3rd album containing ‘Candy Says’ supposedly about Candy Darling. In 1970 Mo Tucker left to have a child and was replaced by Billy Yule. They recorded their 4th and final album. Lou Reed then left the band and moved back home to live with his parents even working as a secretary for the family business. (The Velvet Underground even carried on for a few years without him.) By 1971 Lou Reed was writing poetry and dating a girl named Betty Kronstadt. He was eventually persuaded to return to writing songs and released the album ‘Transformer’ in 1972. The cover featured a TV and a leather clad clone rumoured to be Lou Reed himself but in fact Ernie Thormahlen.
"There’s a lot of sexual ambiguity in the album and two outright gay songs - from me to them but carefully worded so the straights can miss out on the implications and enjoy them without being offended.
"The gay life at the moment isn’t that great. I wanted to write a song which made it terrific, something you’d enjoy.
"Just because you’re gay doesn’t mean you have to camp around in make-up. The make-up thing is just a style thing now. If people have homosexuality in them, it won’t necessarily involve make-up in the first place."
"You can’t fake being gay. If they claim they’re gay, they’re going to have to make love in a gay style and most people aren’t capable of making that commitment. That line that everyone’s bisexual - I think that’s just meaningless."He began work on ‘Berlin’ in 1973. When it was finished he separated from his wife after writing a song about her suicide attempt. The producer Bobby Ezrin also had a breakdown and had to be hospitalised after completing the record. Lou Reed’s divorce came through in autumn 1973. His behaviour began to deteriorate and then he met Rachel (transvestite/transsexual - nobody knows which).
"It was in a late night club in Greenwich Village. I’d been up for days as usual and everything was at that super-real, glowing stage. I walked in there and there was this amazing person, this incredible head, kind of vibrating out of it all. Rachel was wearing this amazing make-up and dress and was obviously in a different world to anyone else in the place. Eventually I spoke and she came home with me. I rapped for hours and hours, while Rachel just sat there looking at me saying nothing. At the time I was living with a girl, a crazy blonde lady and I kind of wanted us all three to live together but somehow it was too heavy for her. Rachel just stayed on and the girl moved out. Rachel was completely disinterested in who I was and what I did. Nothing could impress her. He’d hardly heard my music and didn’t like it all that much when he did.
Rachel knows how to do it for me. No one else ever did before. Rachel’s something else."
"All the albums I put out after this are going to be things I want to put out. No more bullshit, no more dyed hair, faggot junkie trip. I mimic me better than anyone else, so if everybody else is making money ripping me off, I figure maybe I better get in on it. Why not? I created Lou Reed. I have nothing even faintly in common with that guy but I can play him well - really well."Lou Reed split up from Rachel in late 1977-early 1978. He stated that his album ‘Street Hassle’ was mainly about this breakup including the lines "Love has gone away / took the rings off my fingers / and there’s nothing left to say / but oh, how I need him baby."
"They’re not heterosexual concerns in that songs. I don’t make a deal of it but when I mention a pronoun, its gender is all important. At the end of ‘Street Hassle’ that person really exists. He did take the rings right off my fingers and I do miss him.
"I have such a heavy resentment thing because of all the prejudices against me being gay. How can anybody gay keep their sanity.
"I just wouldn’t want listeners to be under a false impression. I want them to know, if they’re liking a man, that it’s a gay one - from top to bottom.
"You want to know the real Lou Reed. Turn around. Now bend over."
Lewis Allen "Lou" Reed (2nd March 1942 – 27th October 2013)