Monday, 9 March 2026

A dressing-up box beyond compare

"We entered Cosprop as ourselves and walked out as the person we were playing." – Helena Bonham Carter

The genre known as "costume drama" has been an absolute mainstay of the entertainment world, in the theatre, in film and on television, since time immemorial. In latter years, we've lapped up the likes of Great Expectations, The Duchess of Duke Street, A Passage to India, A Room With a View, Out of Africa, Poirot, The House of Elliott, Howard's End, Pride and Prejudice, Elizabeth, Sense and Sensibility, Downton Abbey, Peaky Blinders and Gentleman Jack - and original costumes [many of them never exhibited in public before] from all of these (and much, much more) were on show at the ever-fascinating Fashion and Textile Museum, in the exhibition Costume Couture: Sixty Years of Cosprop that we went to see en famille on Saturday.

Cosprop was founded by Oscar and BAFTA-winning costume designer John Bright in 1965, and ever since then his company's peerless work has appeared in thousands of film, television and stage productions.

We should let the clothes speak for themselves, really...


Costumes worn by [l-r]: Dame Maggie Smith and Hugh Bonneville in Downton Abbey; Cate Blanchett in Elizabeth; David Suchet in Poirot; Colin Firth and Jennifer Ehle in Pride and Prejudice.

"Actors walk in with just a script and the name of their character. They walk out with that character fully formed in their mind, having brought him or her to life through the angle of a hat, the fabric of a coat or the feel of a pair of shoes." – John Bright


Costumes worn by [l-r]: Helena Bonham Carter and Dame Maggie Smith in A Room with a View; Johnny Depp in Pirates of the Caribbean; Ralph Fiennes and Liv Tyler in Onegin; Leslie Manville in Mrs Harris Goes to Paris.

"It’s a beautiful exhibition where you will want to take in every perfect little detail, and has been arranged so you can see the costumes from several angles." - Lucy Sutton-Long


Costumes worn by [l-r]: Meryl Streep in Out of Africa; Vanessa Redgrave and Emma Thompson in Howards End; Kiera Knightley in The Duchess; Suranne Jones in Gentleman Jack.

By the end, we were utterly boggled by the sheer array of items associated with films and TV series we loved! The most gorgeous ones of the lot were, however, from some less familiar productions.


[l-r] A pair of embroidered jackets worn by Basil Henson in War and Peace (BBC, 1972); evening gown worn by Natasha Richardson in The White Countess; fancy-dress costume worn by Uma Thurman in The Golden Bowl.

Simply wonderful. So pleased we caught this on its last weekend before the exhibition closed.

6 comments:

  1. Noe the ensembles Natascha Richardson in The White Countess and the Fancy-dress costume worn by Uma Thurston in The Golden Bowl are right up the Mistress allley

    ReplyDelete
    Replies
    1. ...and in the same block of photos, I would definitely wear either of the outfits from War and Peace..! Jx

      Delete
  2. Ooh, Jon, I think we might have a fight over those embroidered jackets...
    What a fabulous exhibition! Thank you for taking me along. (And I'm open to haggle...you can have the blue outfit with the baggy pants, but that black number is MINE!)

    ReplyDelete
    Replies
    1. Done! I adore them both, but the embroidery on that blue three-piece suit is simply divine... Jx

      Delete
  3. It was amazing.
    Something from about every costume drama (on film or screen) I have loved over the years.
    Up close and real.
    Such a talent and divine archive.
    and oh my golly yes! one hell of a dressing up box.
    I adored the film 'Mrs Harris Goes to Paris.' and was as excited as Mrs Harris was when she first saw the green Dior Gown.

    ReplyDelete
    Replies
    1. It was a staggering display! Such a shame we only went on the last day - I would gladly go and see it again, to clock all the little details I might have missed... Jx

      Delete

Please leave a message - I value your comments!

[NB Bear with me if there is a delay - thanks to spammers I might need to approve comments]