
...like the silent movie star the papers named “The Girl Who Is Too Beautiful”, Miss Barbara La Marr!

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Read more about the tragically short yet fascinating life of the alluring Miss La Marr.
CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."
























Mercado’s career began in 1969 when he began reading horoscopes on television in his native Puerto Rico. He eventually became an international phenomenon, known as much for his astrology shows as he was for his coiffed look and Liberace-like wardrobe of colourful suits and jewellery and signature crystal-bedecked capes.Here's a trailer for what promises to be an extraordinary programme [and should it ever be shown on "proper telly", I might watch it]:
While one might assume he was gay, it wasn’t something Mercado ever discussed. He was an open book with the film-makers, except with it came to his romantic life. “He didn’t like the labels and he didn’t kind of embrace them in any particular way,” co-director Kareem Tabsch said. “But, he was a queer icon. If you were a Latino, Latin American, like myself as a young queer kid watching for the first time, I recognized that sense of otherness in him that I saw in me. I was a much less fabulous version, but I could tell he was different in a way that I was different. And if there was that possibility that he was so loved in the Latino community being so different, that as a young queer person, maybe I too could be loved.”
Mercado was in his 80s when [they] approached him about making the documentary. He agreed after they told him their astrological signs.
By then, Mercado’s life in the spotlight was long gone. His career stumbled during a seven-year legal battle that began in 2006 over the rights to his name and likeness with his former manager Bill Bakula.
Mercado was 87 when he died in November 2019, not long after the doc had wrapped. “He’s our Mr. Rogers and our Oprah and our Liberace all combined into one,” co-director Cristina Costantini said. “I think on a certain level we were shocked that he agreed to do the film. But he so badly wanted to be a public guy, so badly wanted attention and wanted to make this his comeback. We thought it was going to be a comeback but it ended up being a swan song, of course. He really loved the lights and the camera. They gave him energy. They gave him life.”