


...it's just another Friday. Business as usual.
CAMP: "A cornucopia of frivolity, incongruity, theatricality, and humour." "A deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love." "The lie that tells the truth." "Ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to or characteristic of homosexuals."








Bette Davis must have a cigarette.Shove that in your pipe and smoke it, Jane Ellison.
For without a smoke, she cannot entirely be Bette Davis. The iconographic image is incomplete, like a bareheaded Gloria Swanson, an unarmed John Wayne, or a clean-shaven Bogart.
In her elegant fourth-floor apartment, just off Sunset Boulevard in West Hollywood, Miss Davis (she prefers the courtesy title) chain-smokes Vantage filters and, with stubborn ferocity, grinds her butts into the ashtray. Once snuffed by Miss Davis, those crooked stubs would not dare to continue smoldering.
She lights into the current nationwide anti-smoking movement with a mixture of glee and withering disdain, almost as if defending her legend against unruly hordes of nosy tobacco-haters.
"I Resent It More Than I Can Tell You!" she says at a rapid clip, delivering every word distinctly and discretely, as though each one were capitalized. "I Do Not Wish To Be Told What To Do!
"I wish to have my own life. All this whole thing has to do with people who gave up smoking and can't stand it! I think it's a big farce myself. And I think it's our own business what we do. Who has the right to say 'You can't smoke'? Makes me smoke MORE! Ha-HA-ha. No. I don't like it."



With his avant-garde fashion creations and cutting-edge designs, [Jean-Paul] Gaultier has shaped the look of fashion over the last 40 years. His reputation for witty and daring designs and a ceaseless interest in society, identity and a beauty borne of difference has earned him a place in fashion history.
Gaultier is fascinated by world cultures and countercultures, conceiving a new kind of fashion in both the way it is made and worn. Through twists, transformations, transgressions and reinterpretations, he not only erases the boundaries between cultures but also the sexes, redefining the idea of androgyny or subverting fashion codes.
This theatrically-staged exhibition brings together more than 165 cutting-edge couture and ready-to-wear garments including iconic costumes for film and performance from the early 1970s to the present day. The infamous conical bra and corsets Madonna wore during her 1990 Blonde Ambition World Tour are showcased alongside stage costumes designed for Kylie Minogue as well as pieces created for the films of Pedro Almodóvar, among others.
Gaultier’s rich collaborations with renowned artists and photographers such as Miles Aldridge, David LaChapelle, Pierre et Gilles, Peter Lindbergh, Herb Ritts, Stéphane Sednaoui, Cindy Sherman and Andy Warhol are also shown together with footage of catwalk presentations, concerts, music videos, films and dance performances.










